Monday, January 14, 2008

Music is one of the most powerful natural laws or forces in the universe.

Vocal Training Warrior: Vocal Training, Voice Lessons, Singers Voice Lessons, Speakers Vocal Training, Actors Vocal Training, Home Recording Studios, Quality Microphones, Podcasting, Diaphragmatic Breathing Exercises, Clear Diction Exercises, Vocal Training Videos, Vocal Training E-books.

Music is arguably one of the most powerful natural laws or forces in the universe. We spend billions of dollars every year to own its latest expressions that are created by musicians all over the world who access its magnificent power. Since we may take music for granted or may even consider that “we” are responsible for its power, maybe it is time that we reconsidered music in the light of universal reality.

Music has been an important part of my life since I can remember. If I wasn’t listening to my Grandfather sing baritone in the Lutheran Church Choir, I was listening to my Mother sing folk songs with her guitar in the early 60’s.

When my parents opened a music store in San Clemente California called the Maria Del Arte Music Center and, eventually, the adjoining Four Muses Folk and Rock club, I learned to play a few chords and helped form a surf band, The Exceptions, with three or my buddies in 6th grade.
During High School, I was your typical hippie type who played a lot of rock, grew my hair long and avoided the High School Music Program and traditional forms of music as much as possible. My only exception was to listen to the “Grand Canyon Suite” by composer Ferde Grofe. Grofe composed this marvelous collection of Programmatic Music after he visited the canyon. Each arrangement paints a musical picture of the title to each song. The first being ‘Sunrise.’ If you can find the piece directed by the late Eugene Ormandy and the Philadelphia Orchestra, this is the best recording I know.

Anyways, once I decided to take on the challenge of a formal music education, it became very apparent that there was a wide gap between the ‘Educated Musicians’ and the ‘Non Educated Musicians.’ The later like myself were, for the most part, just ignorant and didn’t know what we were missing if we had only taken the time to learn some music theory. Many of the “Educated” musicians developed an “ego” about their classical musical tastes. You would think that some of them actually created music!

It is when I got to college that I realized how far apart the two sides were. I found that many “educated musicians” had their nose in the air and looked down upon ‘pop” music and the “uneducated” people that wrote and performed it. Further, when you analyze the music programs in most High Schools, they normally only cater to more traditional forms of music like choir, band and orchestra. What about all the kids that would rather play in rock bands? Are they not also musical students seeking to increase their abilities? Of course they are. But, because they do not fit into the “music program mold,” they are not considered of any artistic value for the most part.

I am not at all inferring that a proper music education is not absolutely essential to becoming a talented musician. I work with young people in my studio constantly that I sometimes have a difficult time convincing of the importance of music education since many of them feel they are “gifted” and therefore do not require any further knowledge. No aspiring musician should ever have this attitude. What I am saying is that music is such an incredible natural force that all who study it should be in awe of its beauty and power and humbled to be at its feet. For any of us to have an ‘ego” about it or preach that or our musical tastes are far superior to others are, in my opinion, misguided.

How dare we as mortals to even attempt to dictate to such a powerful natural law as music how that it should be expressed. It is like the seagull dictating to the hurricane where it should make landfall.

To further explain, here is how I view art, more specifically in this discussion, music. Whatever your belief system regarding how the earth and the universe came to being, we all must admit that the powerful forces we experience and enjoy called Music and Speech, came with the creation or evolutionary package. We did not create them; they have always existed as forces in the universe. They are no different that the natural laws of Gravitation, Light, Magnetism, Mathematics and Electricity to mention only a few.

We may analyze a piano and conclude that tonality ceases at the end of the keyboard. These “88 keys” are only a few notes that sound within our limited range of hearing. Any Dog knows that! Isn’t it possible that the keyboard continues in both directions to infinity? Hard to imagine? Did you know that recent discoveries by the Hubble Telescope have located “Billions” more Galaxies? Where do the universe and the musical scale end?

These questions are important to consider, as I believe we must humbly revere the wonderful and powerful forces of Music and Speech. We do not own them but they are a creation that has been here since the beginning of time. And when we realize this, then we can tap into these powerful creative forces. Service, gratefulness and humility always open the door to the secrets of, arguably, the most powerful forces on earth!

Further, we have all been given an instrument that, not only creates speech, but also performs a wide range of musical pitches. We call this marvelous instrument the larynx or voice box. Just like man learned to fly from observing and analyzing birds, original man must have learned of music and speech from experimenting with his personal instrument.

With music, the created language of musical notation is our best effort to be able to communicate, understand and organize that, which already exists. I say this because some people may not consider such truths and believe music to be created by man. That is no truer than man creating flight. We only discovered the “natural force” that was and is by watching birds fly.

Further, Music is found in every known culture, past and present, varying wildly between times and places. Since all peoples of the world including the most isolated tribal groups have a form of music, scientists conclude that music must have been present in the ancestral population prior to the dispersal of humans around the world. Consequently known performance of music may have been in existence for at least 50,000 years.

Another important aspect of music that proves its flexibility to individual creative thought is that a culture's music is influenced by all other aspects of that culture, including social and economic organization, climate, and access to technology. Further, the emotions and ideas that music expresses and the situations in which music is played and listened to is also influenced by culture. To further explain, the natural law that the structure of music is based upon does not change and the arrangement of notes and chords is completely flexible to adjust to cultures.

To me, that is why music as art form is more desirable that let’s say, a painting. If we looked a painting from the Renaissance time period, we would only be able to experience it from just viewing it. But, if we have a musical composition for the same time period, we can perform it again, bring it to life and manipulate it by varying the tempo, volume, articulation or many other variables. In essence, the music comes alive again. What a miracle! We can actually experience the “thoughts” of Beethoven or Mozart in a living and fresh way.

In conclusion, my vision for writing this article is to remind all of us who write, perform or just enjoy the incredible miracle of Music that we must respect how music decides to express itself through all creative minds that access its universal power. We may not like the artistic expression or “style” that we hear. That is a matter of taste. For instance, we may not all like milk or beef but we can certainly agree to respect the cow for its important contribution to the food chain. So it is with the created natural law of music.

So if you are a “pinhead academic” or a “naive punk rocker” get over yourself and learn everything you can about music with an open spirit and a humble heart. Music deserves that kind of respect.


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Friday, December 14, 2007

Vocal Training. Singers, Public Speakers, Actors and All People must Communicate Clear Diction

Vocal Training Warrior: Vocal Training, Voice Lessons, Singers Voice Lessons, Speakers Vocal Training, Actors Vocal Training, Home Recording Studios, Quality Microphones, Podcasting, Diaphragmatic Breathing Exercises, Clear Diction Exercises, Vocal Training Videos, Vocal Training E-books.

I propose a New Years resolution that will definitely change your life. I want you to learn to sing and speak with powerful and clear diction. Read on to accept the challenge!

Proper Diction is one of those subjects that is often misunderstood or ignored completely due to complete ignorance or cultural aversion. Yet, the mastery of performing powerful and clear diction is critical to how you present yourself as a competent citizen and educated professional in a highly competitive world.

The truth is, you can drive the greatest car, live in the biggest house or wear the finest clothes, but if you mumble your words and think talking in “cultural slang” is “to cool to get real and change” then your first impression with people will always be less than you probably wanted.

It is like a person with bad breath, dirty nails, soiled and wrinkled clothes or body odor. People will always remember these things about you and not the “flashy lifestyle.” Your presentation is very important and exercising proper diction should be high on your list of personal development goals.

One of the challenges in America is that, because we are such a melting pot of cultures, the overall “American Diction” has become very sloppy. Isn’t it true that you wish you had a dollar for every time you had to ask somebody, “Can you please repeat that?”

Let’s read the “official” definition of Diction.

Diction
From Wikipedia, the free encyclopedia

Diction, in its original, primary meaning, refers to the writer's or the speaker's distinctive vocabulary choices and style of expression. A secondary, common meaning of "diction" is better, and more precisely, expressed with the word enunciation — the art of speaking clearly so that each word is clearly heard and understood to its fullest complexity and extremity. This secondary sense concerns pronunciation and tone, rather than word choice and style.
Diction is divided into two types: Denotation is the literal meaning of a word. Connotation is the attitudes and feelings associated with a word.
Diction has multiple concerns; register — words being either formal or informal in social context — is foremost. Literary diction analysis reveals how a passage establishes tone and characterization, e.g. a preponderance of verbs relating physical movement suggests an active character, while a preponderance of verbs relating states of mind portrays an introspective character. Diction also has an impact upon word choice and syntax.
Diction is comprised of eight elements: Phoneme, Syllable, Conjunction, Connective, Noun, Verb, Inflection, and Utterance.

Don’t you hate some of these “High Brow” definitions?

Now it is time to discuss some solutions to our “Diction Dilemma”. First, let me remind you of something very familiar to you. The English Language when it is actually spoken by the English. That’s right, our former landlords across the Atlantic Ocean. Most people like to hear the English speak. Their diction, for the most part, is very clear. Proper diction is a part of their culture. I like to watch news reports from England. You will see somebody, for example, that looks like they came from India (there is certainly a strong accent in this culture). But, when they open their mouth and start speaking, they speak very clear English, the accent and all! This fact demonstrates great hope for anybody who wants to clean up his or her diction. If someone from India can completely change how he or she talks then anybody can.

There are many aspects of diction that can be discussed that need improvement. I thoroughly discuss these in the chapter on Diction in my e-book, Singing and Speaking on the Edge of a Grunt. I will attempt to simplify one of the obvious ones: Improper use or complete lack of Consonance.

The Consonances that get neglected the most are the ones at the ends of words. For instance, we may not pronounce the D in Made, the T in Flat, the K in Park or the CH in Latch. Go ahead and test yourself. Find something to read and read it out loud. You are probably like most people and you do not make the effort to pronounce these consonances. When you do not, your speech is sloppy and run together. We are so much in a hurry these days to get from one end of the sentence to the other, we forget about what we are saying. Then, we get irritated when someone requests that we repeat ourselves. Somehow it is their fault and not ours. Am I hitting any nerves? Good!

One important reason why Consonances are so important is simple physics. Lets take a Consonant like T. It does not matter if it is at the beginning of a sentence or at the end, the performance is the same as is its importance. Perform the Consonance T. You will notice that the tip of your tongue touches the back of your top teeth and, after you build up some air pressure, you let it all go and hence we have a T. The important aspect of this is that it is what I call an “explosive Consonance”. When the air pressure is released, the “explosion” moves a lot of air molecules a longer distance than if we just said the vowel “aw”. This being the case, the T will travel farther in the air. Therefore, it will be heard at a greater distance and your diction will be more powerful. If you are an actor on a stage all by yourself performing a monologue, the back row will be able to understand what you are saying more clearly. And if that is true then those closer to you will definitely understand you. This is always the result that clear diction will provide.

In private practice, one way I coach vocal students to accomplish this is to “get in character.” Simply pretend that whomever you are speaking to, act like they are all hard of hearing and your message is very important. When you do this, you will find yourself moving your lips, face and jaw to try to make your diction also clear by the actions of your body. I would say most of us have tried to speak to someone very hard of hearing or had to communicate across a distance with our facial expressions when we had to be quiet. This exercise will bring your body diction to its optimum potential. Add the clear Consonance to the mix and your will become a clear communicator every time.

To conclude, practice reading your Lyrics, Speech or Monologue slowly and with clear and articulate diction. Take your time. The goal should always be not WHEN we get to the end of a sentence, but HOW we get there.

I hope you enjoyed the article on Diction.

I also hope that you will click on the links below for a FREE Diction Video Lesson, FREE preview of my Ebook and a FREE Holiday Newsletter.

Goodbye for now!

Jonathan Morgan Jenkins/Vocal Warrior

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Thursday, November 29, 2007

History of Microphones, Sound Recording, Ribbon Microphones, Condenser Microphones,Telephones

Vocal Training Warrior: Vocal Training, Voice Lessons, Singers Voice Lessons, Speakers Vocal Training, Actors Vocal Training, Home Recording Studios, Quality Microphones, Podcasting, Diaphragmatic Breathing Exercises, Clear Diction Exercises, Vocal Training Videos, Vocal Training E-books.

My last article, which received tremendous interest, was on the History of Audio Recording. I am grateful to all of you that read it and made it a great success. This article is no less important. We certainly can’t discuss the History of Audio Recording without also discussing the History of the Microphone. Neither can exist without the other. Together, let’s explore the birth and development of this incredible invention.

A microphone is, simply stated, a device that captures “waves” in the air created by the voice or any other noise transmitter and translates those waves into electrical signals. Another way to say it is to convert acoustic power into electrical power. After the sound waves are converted into electrical signals, to hear them again in an acoustic setting, they must be converted back to acoustic power through some kind of loudspeaker. It is amazing to think with all the technological advancements in the last 40 years, we still use this simple process on our stereo, computer or ipod.

Have you attended a concert lately? The relatively weak signal from a voice or musical instrument is created, changed into electrical energy by some sort of microphone, boosted through a series of power amplifiers and, finally, converted back to acoustic energy through loudspeakers. It is easy to sit, enjoy the music, and forget to be thankful for this amazing power that was created in our universe which we enjoy our entire day.

Let’s meet some of the visionary people who discovered and developed the universal principles that operate a microphone.


Johann Phillip Reis (1834-1874)

This German physicist designed a “sound transmitter” that employed the use of a metallic strip that rested on a membrane with a metal point contact that would complete a circuit as the membrane vibrated. His basic belief that, as the membrane responded to the increase and decrease of acoustic energy and bounced the metal point up and down with more intensity and increased the amplitude of electrical current, was brilliant. Unfortunately, this early effort was not developed enough to produce speech that could be understood.

Elisha Gray (1835-1901)

This American inventor would one day become one of the founders of the Western Electric Company. Gray’s design was called a “liquid Transmitter”. The “liquid” was an “acidic” solution. This was an incredible innovation. A diaphragm was attached to a movable electrically conductive rod that was immersed in the acidic solution. A second rod was fixed. With a battery attached, a circuit could be completed between the two rods. Acoustic vibrations traveling through the diaphragm caused the distance between the two rods to vary. The result was that this variance produced corresponding changes in electrical resistance in the acidic cell, changing the levels of current. These variations could be translated to a week audible sound.

Alexander Graham Bell (1847-1922)

Famous for his development of the telephone, he employed a similar device as Gray to produce the first transmission of intelligible speech over his primitive telephone. Most of us have heard of the famous words of Bell to his assistant, “Mr. Watson, come here. I want you.” The true inventor of the telephone, though, became a legal dispute between Bell and Gray. The courts remained neutral regarding their claims due to the overall poor quality of these early devices.

David Edward Hughes(1831-1900)

While Bell and Gray slugged it out in the courts, Hughes was diligently working to produce the first working microphone. Already a pioneer and patent holder in the telegraph industry by 1855, he designed a new kind of microphone by 1878. It was a completely different design that Bell and Gray. It incorporated the use of carbon granules loosely packed into an enclosed space. When the acoustical pressure varied as they traveled through the diaphragm, the electrical resistance that traveled through the carbon granules changed proportionally. The resulting sound was noisy and full of distortion but it was a significant step forward. Since early reports in the newspaper compared his device with a microscope, “ it acts for the ear much in the same way that the microscope serves the eye,” Hughes coined the current name “microphone” to his invention.

Thomas Alva Edison (1847-1931)

Edison took Hughes design and made it simple, cheap to manufacture, efficient and durable. He created a cavity filled with granules or carbonized anthracite coal packed between two electrodes, one of which was attached to a thin iron diaphragm. His refinements became the basis for all the telephone transmitters used in most of the telephones for the last century. Further, Bell Telephone and Bell laboratories are still incredible companies that continue to produce new communication technologies.

With the invention of the radio, new broadcasting microphones, like the Ribbon Microphone in 1942, were invented. The Ribbon Microphone originally employed the use of an aluminum ribbon that was placed between two poles of a magnet to generate voltages by electromagnetic induction. As the sound wave caused the ribbon to move, the induced current in the ribbon was proportional to the particle velocity in the sound wave. Ribbon microphones have historically been delicate and expensive. Today’s modern materials make present-day ribbon microphones durable enough for loud rock music and stage use.

An incredible step forward in microphone development occurred in 1964. Bell Laboratories researchers James West and Gerhard Sessler created the electroacoustic transducer, an Electret Microphone. The Electret Microphone was a type of Condenser Microphone that offered greater reliability, higher precision, lower cost, and a smaller size. It revolutionized the microphone industry with almost one billion manufactured each year. Further, during the 1970's, dynamic and condenser microphones were developed, allowing for a lower sound level sensitivity and a clearer sound recording.

Currently, microphones are so much a part of our daily life that we take them for granted. After writing this article, I have decided to put them on my list of things to be grateful for. Since I am a pilot, my safety is partially dependent on my being able to communicate on my radio. Guess what I use to talk on my headset? You guessed it, a microphone!

As for the future, many new and incredible innovations are being explored.

1)Laser Velocity Transducers
2)Optical Microphones
3)Direct Digital Output
4)Force Feedback technologies that are used in conjunction with an Optical Microphone

I hope that you have learned some important information about Microphones. As innovation continues at a rapid rate, the ones we use today may become a future exhibit in the Smithsonian Institution. Until then, they will continue to be an invention that taps into a universal principle that improves our lives.

The truth is, the universe is filled with probably billions of incredible things that we have just not discovered. As in the past, present and will be in the future, those that possess the faith and perseverance to tap into the universal mind are those that will discover and share the secrets of the universe with all of us.

Maybe you are that person!

Check out the latest Microphones at my web site and treat yourself for the holidays!

http://www.vocaltrainingwarrior.com/quality_microphones

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Happy Holiday to all.

Jonathan Morgan Jenkins
Vocal Warrior
http://www.vocaltrainingwarrior.com

Monday, November 19, 2007

Home Recording Studios. History of Sound Recording, Digital Audio, MP3s and Multitrack Recording.

Vocal Training Warrior: Vocal Training, Voice Lessons, Singers Voice Lessons, Speakers Vocal Training, Actors Vocal Training, Home Recording Studios, Quality Microphones, Podcasting, Diaphragmatic Breathing Exercises, Clear Diction Exercises, Vocal Training Videos, Vocal Training E-books.

Today, with the explosion of the inexpensive Consumer Electronics, some of the most incredible advances have been those in the Digital Recording Industry. This article documents the general history of Audio Recording.

The earliest record of an Audio Recording dates back as far as December 4, 1877. Thomas Edison became was the first to record and play back the human voice. The technologies that resulted in the phonograph were developed from the discoveries that he made developing the telegraph and telephone. His discovery came to him while he was experimenting with how a moving diaphragm linked to a coil would produce a weak, voice modulated signal. During this time he was also continuing his experiments with a telegraph repeater that was a simple device that made use of a needle to make indentations in paper with the dots and dashes used in Morse code.

These two innovative ideas were joined. He attached the stylus from the telegraph repeater to the diaphragm in the mouthpiece of a telephone. During his first test in July of 1877, he attempted success by mechanically pulling a sheet of paper under the needle, attached to the diaphragm as he shouted into the mouthpiece. Unfortunately, this combination failed to produce desired results. But, it did produce a vague recognizable sound that was the seed of faith Edison needed to continue fulfilling his vision.

During the following year, Edison and his staff worked with diligence to refine his invention. His first important discovery was to replace the paper with Tin Foil. This was appositive development and Tin Foil became the first viable recording media. A band of Tin Foils was mounted on a cylinder. The cylinder was turned manually with a hand crank during recording and playback. His first famous recorded words were, “Mary had a little lamb it’s fleece was white as snow. And everywhere that Mary went the lamb was
sure to go.”

From Wikipedia, the free encyclopedia

Early Techniques - 1890s to 1930s

In the era of acoustic recordings (prior to the introduction of microphones,
electrical recording and amplification) the earliest recording studios were very
basic facilities, being essentially soundproof rooms that isolated the
performers from outside noise. During this era it was not uncommon for
recordings to be made in any available location, such as a local ballroom,
using portable acoustic recording equipment.

In this period, master recordings were made by a direct-to-disc cutting
process -- performers were typically grouped around a large acoustic horn (an
enlarged version of the familiar phonograph horn) and the acoustic energy
from the voices and/or instruments was channeled through the horn's
diaphragm to a mechanical cutting lathe located in the next room, which
inscribed the signal as a modulated groove directly onto the surface of the
master cylinder or disc.

Following the invention and commercial introduction of the microphone, the
electronic amplifier, the mixing desk and the loudspeaker, the recording
industry gradually converted to electric recording and this technology had
almost totally replaced mechanical acoustic recording methods by 1933.

The next breakthrough was Magnetic Tape developed by German inventor Joseph Begun. Graduating in 1929 from the Institute of Technology in Berlin, Germany, where he penned the revolutionary research book entitled “Magnetic Recording”, during 1934- 35, Begun developed and built the world's first tape recorder used for broadcasting.

During the 50’s magnetic tape applications made further strides, especially in the application of the recording studio. The person whose research led to the first Multitrack Recordings was the legendary Les Paul, the man also famous for the popular Les Paul Electric Guitar.

Paul's multitrack experiments, begun in the mid 1940’s, progressed rapidly and in 1953 he commissioned Ampex to build the world's first eight-track reel-to-reel tape recorder, at his own expense. Due to his diligent efforts, Ampex Corporation released the first commercial multitrack recorders in 1955, naming the process "Sel-Sync" (Selective Synchronous Recording). Elvis Presley was one of the many early artists that benefited from this incredible advancement in professional recording.

Our next big step forward is the invention of the Cassette Tape. In the Netherlands, The Philips Company invented and released the first compact audiocassette in 1962. They used high-quality polyester 1/8-inch tape produced by BASF. Recording and playback was at a speed of 1.7/8 inches per second, incredible for the time. The consumer's demand for blank tape used for personal music recording was unanticipated by Philips. They became a large and profitable corporation.

With the development of the computer through the sixties, especially in the Nasa Space Program, many recording visionaries knew that the ultimate future of Audio Recording was not tape but digital. The first big advance occurred in 1967 when the first digital tape recorder was invented. A 12-bit 30 kHz stereo device using a compander (similar to DBX Noise Reduction) to extend the dynamic range. In the 1970s, Thomas Stockham created the first digital audio recordings using standard computer equipment, as well as developing a digital audio recorder of his own design, the first of its kind to be offered commercially. In 1976 he made the first 16-bit digital recording at the Santa Fe Opera on a handmade Soundstream digital tape recorder.

Bringing us up to present day, the MP3 Audio File is arguably the most important invention we enjoy. Mp3 files are the ones burnt on CD’s, downloaded on the net and commonly imported into your ipod or itunes. It was invented by a team of European engineers at Philips in 1991. Compact discs soon followed and the rest is history.

I was first introduced to Digital Recording Technology when I recorded and released my
first CD, WINDOWS, (click here to listen to clips) in 1993. I was fortunate to have a close friend that was a consultant for Yamaha and had a Digital Studio filled with the latest equipment, much of which were prototypes that he was helping Yamaha develop.

Since then, the industry has absolutely exploded. It is hard to believe that this technology that today is common in many homes and the standard in professional studios was only recently in it’s infancy. The greatest advances have not only been in the technology and the availability to the public. When I built my first digital recording studio in 1994, I was
very limited as to what I could buy due to the very high cost.

I recall the days when a top of the line rack mount synthesizer could cost you as much as 5000.00. After you added the computer, mixing board, keyboard and other necessary
accessories, the cost of a basic recording studio could climb to as much as 20,000.00 to
30,000.00, minimum.

Now, the costs of owning a digital recording studio are as low as 199.00. What if I told you I could sell you your own recording studio that you could use in your home, in your car, on a picnic bench, on a business trip or on vacation! I am sure you would be interested! At my web site, I sell Digital Recording Studios Complete Packages for under a 600.00. This is an incredible value to the consumer.

Please click here, Home Recording Studios, and see for your self.

I hope you have enjoyed ands learned some important information in this article. I write all the time so sign up and be notified of updates.

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Happy Holiday to all.

Jonathan Morgan Jenkins
Vocal Warrior
http://www.vocaltrainingwarrior.com

Thursday, November 8, 2007

Vocal Training. Discrimination of Women as Singers and Public Speakers through Vocal Music History

Vocal Training Warrior : Vocal Training, Voice Lessons, Singers Voice Lessons, Speakers Vocal Training, Actors Vocal Training, Diaphragmatic Breathing Exercises, Clear Diction Exercises, Vocal Training Videos, Vocal Training Ebooks.

In this Blog I am taking a different path from Voice and Speaking Lessons and writing on the very interesting subject of Music History. Specifically, how women have been descriminated against through the ages, especially in the arts. I hope you will read this with an open mind. We are all responsible not to repeat the mistakes of the past.

Discrimination and Human Oppression of any kind that has occured through world history and in our present world was and is one of the greatest failings of humanity. With the discrimination of African Americans usually taking up much of our attention in the news, an often overlooked subject is discrimination of Women through the ages, not only in society, but in the performing arts.

In America, when the word Discrimination is mentioned, the most common thought is that of the treatment of African Americans during the ear of slave trade. Negro Slavery, in America, was introduced by law in 1517. In 1442 the first Negro slaves were imported into Europe. They were taken from Africa to Portugal in ships of Prince Henry, the "Navigator." From that time there was little traffic in Black Slaves until after the discovery of America. When the great destruction of American Indians occurred by war, and disease, the importation of Negroes into Spanish America was begun in order to fill the void in the labor market.

Slavery as an institution ended after 345 years on Sept. 22, 1862. United States President Abraham Lincoln issued a proclamation that he later called "the central act of my administration, and the greatest event of the 19th century." The proclamation promised freedom for slaves held in any of the Confederate states that did not return to the Union by the end of the year. Black discrimination in American Society, of course, has continued for many years with the last 30 years seeing tremendous improvement in race relations.

So, why am I talking about Black Slavery in a Vocal Training article? Because the word discrimination should also cause us to reflect on the Institutional and Cultural Slavery of Women that has occurred for, as far as we know, a few thousand years. Personally, I am more disturbed by this act than anything the African Americans had to endure. This is because it has been a worldwide epidemic documented from the beginning of human history and continues in full force today in many cultures. Even today, in many cultures, women are abused legally and forced to dress certain ways or they can be killed. Those who founded America brought with them these same ideas, often taught in their religion, and “The land of the free” was only really for men.

I have tried for years to understand this and have never been able to. I recall, when I was younger, having the same thoughts after being brought up in a “Baby Boomer” culture where society was taught “ A woman’s place is in the kitchen.” I thank God I do not think this way now. I believe that all people have a responsibility to be independent personally and financially. If you are a woman or a man that is expecting someone else to take care of you and not understand the absolute necessity of using your own brain, personal vision and spiritual power to “conquer your world” then you are a Slave to some degree. Just ask any woman who has been through a divorce, left to fend for herself and finds herself with no skills to make a living. This should never happen. She should have done everything possible to train herself and be independent even though she was married. The responsibility for not preparing oneself for life is, ultimately, always the fault of the individual.

Now I want to discuss the main reason for my topic. In the institution of Singing and Public Speaking, there has also been incredible discrimination through the ages. Especially in the Dark Ages during the Medieval time period.

Some of the earliest references in culture to women singing are in the Bible. Singing seems to have become a regular profession at quite early date among the Hebrews. David had his troupe of "singing men and singing women" at Jerusalem (2 Sam 19:35), and no doubt Solomon added to their numbers. Isa 23:16 suggests that it was not uncommon for foreign female minstrels of questionable character to be heard making "sweet melody," singing songs along the streets and highways of Judea. Nor was the worship of the temple left to the usually incompetent and inconstant leadership of amateur choristers. Talented women played their part in temple ceremonies.

The truly darkest days of female musical and vocal expression were the oppressive centuries of the medieval time period generally 500 to 1450 AD. This was an age where European males influenced by other European males hoarded what they perceived as power. Other voices of the time, specifically women, were silenced by politics and religion.

During this time, the composition and performance of all music, in general, was also extremely oppressed. (I will discuss this in my next article)

During the Renaissance when the Catholic Church decided, “God had changed his mind,” women did become more active in the arts but progress was slow all the way through the beginning of the 1,800’s. That’s 1,300 years of female oppression on many cultural levels as well as Music and Speech. Surprisingly, this action was created and supported by the Catholic Church. I am at a loss to understand how “men of faith” could be so immature that they had to do this to women to feel powerful and control their world. This is a question that we still ask today when we see women covering their heads and being submissive to men in the name of religion. Who can honestly accept the notion that God would be pleased with one of his beautiful creations being oppresed?

Due to the blossoming of Choral music compositions during the Renaissance that required music be performed at a wider range, during the Baroque period, from 1600 to 1750, young male sopranos and altos comprised about 70 percent of all Choral and operatic singers. These vocal parts extended the upper range of music. This can be compared to music played on the right half of the piano keyboard. Sadly, women were still considered a minority.

But, when these boys with a woman’s range faced puberty with their voice dropping an octave, a solution to keep boys in the female range had to be found. The answer? Castration, to prevent the hormonal change that occurs during puberty. (Is this what happened to Michael Jackson?) Since male sopranos in opera were a necessity, in Italy, 4,000 - 5,000 boys were castrated annually. (Ouch!)

During puberty a boy’s vocal chords enlarge and lengthen, caused by an increased production of androgen hormones. Castration prevents the necessary flow of hormones and arrest growth. Since the Vocal Chords do not grow longer, lowering their pitch, afterwards the castrato would have the high voice of a boy soprano, but the lungpower of a full-grown man. (Strange! That is kind of how ET lokked!) Castration was performed by cutting the blood supply to the testicles, or by amputating them altogether. (Ouch Again!)

Women, especially in countries where the Catholic Church dominated, were forbidden on the stage. (So much for women's lib!) The justification for prohibition against women singing in the church choir had its origin in the bible: "Let your women keep silence in the churches; for it is not permitted unto them to speak." (I Corinthians 14:34). (It appears that "God" has changed his mind!) Nearly every church choir used pre-pubescent boys to sing the high parts in choral works because women were also not allowed to participate in church services. (You've come a long way baby!)

It was not until the nineteenth century before women were regularly found performing in opera houses or in church music. From the early monasteries and convents in the Middle Ages, women and men were separated in a religious context. Women possessed no role in the mass setting, and this naturally extended to an exclusion from all church music as well. Politically they were inferior to their male counterparts, generally translating to women not owning property, voting, or holding leadership positions of any consequence within society. It is such a tragedy to realize all of the amazing female talent that was unable to express itself due to institutional, male dominated discrimination.

Fortunately, there has been tremendous progress made as women have been liberated to pursue Musical, Speech and Acting careers. Considering the female discrimination that still exists in many of the world’s cultures, I hope women will appreciate the progress America has made. We are not perfect but we certainly are world leaders.

Can you imagine never hearing a Beverly Sills, Diana Ross, Tina Turner, Leontyne Price, Billie Holiday, Bette Midler or Barbara Streisand? I sure could not. Yet, these talented women would have been told by those who claimed to represent God that their singing would be an offence to God. May we all honestly admit that God certainly restrained himself from throwing lightning bolts at these creeps?

I will end the article with my personal hope and prayer.

May every person, male or female, possess personal passions for all their goals and achieve every one of them so our world will continue to thrive through positive and not negative creative energy.

Amen.

Since it is the Season for Giving, I hope you will consider giving my ebook Singing and Speaking on the Edge of a Grunt on sale for only 24.95 or my Zoom H-2 Personal Digital Recording Studio on sale for only 199.00. Record a song, speech, or music in full Surround Sound High Fidelity. Please check out these Revolutionary Products.

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Happy Holiday to all.

Jonathan Morgan Jenkins
http://www.vocaltrainingwarrior.com

Tuesday, October 23, 2007

Vocal Training. Karaoke Singers, Public Speakers and Actors need the same Vocal Training.

Welcome back for more important information on Vocal Training, Breathing Exercises, Clear Diction Exercises and Vocal Coaching.

Attention ALL Vocalists!

The important word here is ALL. All refers to Singers of all ages and styles, Public Speakers who have a membership with Toastmasters Inc or specialize in Speaking at Corporate Seminars, Actors who need to project their Voice with Power and Clear Diction and Athletes who need to improve their Oxygen Intake for Optimum Physical Performance.

My experience with Professional, especially institutional, Vocal Training through the years is that the private instruction and lesson material is often taught in a very "Sterile" manner with little personality. Or it is taught by many people with no formal education that consider themselves Professional Vocal Teachers just because they have sung for a few years.

Anybody who has attended most University Music Programs knows that there has always existed a separation between the "High Brow Professor Crowd" and the "Amateur, Pop Music Crowd." I have experience in both fields. I grew up with parents that had a music store that catered to pop music and they also promoted rock concerts. I played hard rock in many bands.



Then, I challenged myself and got a formal degree with Music Teaching Credentials. I understand both sides of the "Vocal Music Educational Experience." Due to this real life education on both sides of the fence, I am able to teach effectively to both sides. Further, my vision is not limited to just singers. I want to teach ALL PEOPLE how to operate their voice in a powerful, controlled and effective manner.

Further, one of the greatest oversights in the Vocal Training Books, in my opinion, is that they are not marketing to "all vocalists" in one book. The techniques I teach daily and have compiled in my revolutionary e-book, “Singing and Speaking on the Edge of Grunt,”
(http://www.vocaltrainingwarrior.com/ebooks) for Singers are the same ones I use for Public Speakers, Actors and even Athletes. My book can be on all three shelves and be one book.

Try this experiment. The next time you travel to a large bookstore, locate these three sections. Vocal training for Singers, for Training for Public Speakers and Training for Actors. You will find a fair amount of books on Voice Training in the Singers section. In the other sections, look through the books. You will find only a very small mention of the subject or none at all.

This is incredible!

The fact is that the same comprehensive techniques to achieve Voice Power, Endurance and Clear Diction are needed for all three disciplines. They are forever joined, and not separate.

My book was written to teach Singers, Public Speakers, Actors and People who talk, beginners and pros, the proper way to sing and speak. My successful techniques are in harmony with the basic functions of the human body. From my College Music Education Experience, my over 25 years of teaching private voice to Singers and Speakers, the 10 years that I directed a large Choir and the numerous vocal competitions I have judged, I have been amazed at the absolute lack of basic vocal training that I have seen.

http://www.vocaltrainingwarrior.com/about_me

I wrote this book to offer a manual to my own students and now I want to share my proven techniques to as many people as possible.

All my clients fully understand all the physical components of the human vocal instrument. Then they learn HOW to use them with power and confidence. Another example is my work with Athletes. My breathing techniques have helped many athletes to increase their stamina and overall abilities. Breathing correctly is important for everyone.

Readers of my e-book will further benefit from the following:

1) They will learn how to breathe correctly. This will be important even if they are not singers or speakers but just need to talk better.


2) They will be introduced to a thorough study of the three major body systems used to produce sound.
a) The Abdominal Muscles
b) The Larynx (vocal chords)
c) The resonating chambers of the neck and head


3) After a thorough understanding of basic function, they will learn how to coordinate these systems to produce powerful, clear and controlled sound.

4) They will learn the intricate aspects of proper diction and how to use the natural physical tools within their head to produce clear and powerful communication.

5) They will learn the secrets to proper interpretation during any type of vocal performance.

6) Ultimately, they will become confident and independent vocalists, able to teach others.

I can’t stress the absolute importance of the proper understanding of how your voice operates. Even if all you do is talk.

My revolutionary e-book is on sale for only 27.00. Clients pay me as much as 2,400.00 a year to get this information. Now that’s a discount! Buy it now and change your voice and your life!

Let me know how you are doing. Jonathanjenkins@vocalwarrior.com

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See you next time.

Jonathan Morgan Jenkins
http://www.vocaltrainingwarrior.com

Tuesday, October 16, 2007

Oxygen - The Best Medicine / Blog #4

In my last Blog on 10/8, we continued our discussion of the importance of oxygen for, not only singing and speaking, but for overall physical health. It is a fact that, when many of us search for solutions to proper Vocal Training, Breathing Exercises or Remedies for Sore Vocal Chords, we have a tendency to think the answer is always something complicated that is hidden in some medical journal. Because of bad public relations regarding Natural Cures (there have been a lot of scams), many of us shy away simple solutions and search for a complicated answer. Maybe it is time to simply Breath Deeply every time we breathe and start with the solutions that are within our power to perform. My 25 years of teaching private voice has proven this on a daily basis.

I am featuring my final article on the absolute importance of breathing enough Oxygen on a daily basis to assure optimum health. Learn and live lifestyle solutions to health problems that are FREE before emptying your bank account on traditional health solutions.

How does our environment affect our Oxygen intake?

I was born in Santa Monica and raised in Southern California. In the early 1960’s, my family moved to San Clemente on the Pacific Ocean located at the very bottom of Orange County. The town’s population was under 5,000 and it seemed to be a million miles from Los Angeles with its smog filled skies.
With all the hysteria that currently exists on Global Warming and Polluted Air, let me tell you a personal story to prove to you how far we have come, at least in relation to the air we breathe. Often we do not hear the good news, only the bad. It makes better headlines.

During the summertime in Grade School, without cable television, video games, internet, etc. my friends and I spent most of our days outside riding bikes, hiking, swimming, surfing, fishing or playing sports. In other words, we were constantly exercising and breathing a lot of air. Further, overweight or obese children were a minority in my school. Gee! I wonder why?

This was also the time period before catalytic converters and emission controls on cars. Even with our distance from Los Angeles and Orange County only had a total of about 700,000 people (today, San Clemente has over 65,000 by itself), I recall numerous Smog Alerts and days when I had breathed so much smog that my lungs hurt and I had to go home and lay down.

Since I can’t recall a Smog Alert in 30 years and Orange County, by itself, now with over 3,000,000 people, it is obvious that we have made incredible progress in cleaning our air. Unfortunately, political agendas have a tendency of hiding the truth from the public. I am not saying we do not have work to do, but let’s celebrate the progress we have made.

That said, it is true that combustion, respiration, deforestation, and man-made processes have reduced Oxygen levels in our air. Further, any big city is going to have some levels of pollution floating around that you will breathe on any given day. And not only are we breathing pollution from the outside world, but also from the inside one. Indoor pollution and lack of oxygen intake can become an even worse challenge.

In our home, we like to keep the windows open as much as possible because we like to constantly have fresh air moving through the house. I can’t stand stale air. I think we have all had the experience of entering a home or building and immediately realizing that the air has not been changed in days. When that happens, I am always wondering "what" I am breathing.

It’s just common sense that when you are vegetate inside with all the window’s and doors closed, you are breathing in and out is what you or others have already breathed in and out. This can also lead to Carbon Dioxide buildup which most of us know can be deadly.

We are reminded of this at least once a year when some "bright bulb, rocket scientist" thinks its okay to use his barbeque or Coleman stove to heat up the house. Unfortunately, the consequences are often deadly. So, another free solution to increasing your Oxygen intake is to simply open up your windows and breathe deeply. Just make sure that there isn’t a giant diesel truck idling close by!

Hey sports fans. Here is another solution if you've got the bucks!

A common but expensive technique for increasing oxygenation levels involves the use of an incredibly complex device called a hyperbaric chamber such as those commonly used for treating divers suffering from decompression sickness.

The elevated oxygen saturation’s provided by hyperbaric therapies have been proven clinically effective in wound care, gangrene, carbon monoxide poisoning, certain types of cancers, speeding healing in burn patients, treatment of anemia, etc.

The chamber is actually a great big tank in which the patient is placed and then pressurized so that their bodies can absorb more oxygen. The increased ambient pressure elevates the partial pressure of oxygen in the bloodstream and can permit oxygenation levels equivalent to 140% at sea level. The medical community knows that when nothing else will help, Oxygen can come to the rescue and work miracles!

A great many persons, including Hollywood celebrities, routinely use such chambers for increasing their oxygen levels. The ‘rich and famous spend thousands of dollars and countless hours in these chambers. But don't you think there has to be an easier, safer and more affordable way to give your body more Oxygen?

As we have discussed in the last three Blogs, learn to breathe effectively on an ongoing basis, keep the air fresh in your home or work environment and do your best to avoid breathing around known pollutants.

More incredible benefits from Oxygen!

1) Improves chemical imbalances in the body.
2) Relieves headache
3) Accelerates healing time for injuries
4) Lowers blood pressure
5) Relieves stress and anxiety
6) Allows the body to direct enough oxygen to its primary functions without having to draw on valuable reserves.
7) Helps reverse premature aging
8) Relieves symptoms of PMS in women
9) Helps displace damaging free radicals
10) Helps neutralize harmful toxins in cells, tissues and bloodstream.

I hope these series of Blogs on Oxygen have taught you the absolute importance of using Oxygen in any healthy and balanced diet. You have the power to change your health and your life.

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See you next time.


Jonathan Morgan Jenkins